Muhammed Senussi
Muhammed Senussi
  • Muhammed Senussi
What the Oud Taught Me About Listening
Arabic Music & Oud

I came to the oud after years of guitar, and the first month was humbling in a way I did not expect.

No frets, no hiding

A fret is a decision someone else made for you. It guarantees a pitch and, in doing so, it quietly relieves you of listening. Take the frets away and your finger has to find the note, which means your ear has to know it first. For weeks I was playing what I thought were the right positions and hearing something slightly sour, and the instrument was right every time.

The quarter tone is not an ornament

Western notation flattens the maqam system into approximations, and the half-flat of sikah or rast is not a note between two other notes. It is a note in its own right, with a place your ear learns to expect. Once I stopped hearing it as a bent version of something else, the whole system opened up.

The instrument teaches patience because it refuses to let you fake anything. That lesson turned out to travel well: I have thought about it more than once while reviewing code that looked plausible.

4 Comments

  • Omar Haddad

    January 11, 2024

    وصفك للربع كنغمة قائمة بذاتها لا كنغمة مثنية هو بالضبط ما أحاول شرحه لطلابي منذ سنوات.

    • Muhammed Senussi

      Muhammed Senussi

      AuthorJanuary 11, 2024

      أظن أن المشكلة تبدأ من التسمية نفسها. كلمة "ربع" توحي بكسر من شيء آخر، بينما هي في الأذن درجة مستقلة تماماً. حين يسمعها الطالب في سياق جملة كاملة بدل تمرين معزول، تستقرّ عادةً في أسبوعين.

  • Sanne de Vries

    January 14, 2024

    As a guitarist considering the switch, was the transition mostly ear training or technique?

    • Muhammed Senussi

      Muhammed Senussi

      AuthorJanuary 14, 2024

      Ear first, by a long way. The right hand and the risha take a few weeks of awkwardness, but the left hand only becomes accurate once you can hear the target before you land on it. I would spend the first month singing the phrases before playing them.

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