Muhammed Senussi
Muhammed Senussi
  • Muhammed Senussi
Learning by Ear in a Tradition That Was Never Written Down
Arabic Music & Oud

My teacher never gave me a sheet of music. For a long time I thought this was a limitation of the tradition rather than a feature of it.

What the page cannot hold

Notation can tell you a note lasts a quarter beat. It cannot tell you that the note before it is leaned on slightly, that the ornament is a shape rather than a fixed sequence, or that this particular phrase is always played a little behind the beat because that is what it means. All of that is transmitted by imitation, and there is no shorthand for it.

The method

  • Listen to a phrase many more times than feels necessary before touching the instrument.
  • Sing it. If you cannot sing it, you do not know it yet, whatever your fingers can do.
  • Copy one player exactly, for a while. Style comes from having absorbed something specific, not from avoiding influence.

It is slower than reading. It also produces musicians who can play with each other without a page, adjust to a singer in the moment, and hear a modulation coming. Those abilities are the point of the tradition, and they are not on the page to begin with.

2 Comments

  • Peter Bakker

    July 8, 2025

    If you cannot sing it you do not know it. That has been true of every instrument I have tried to learn and I keep forgetting it.

    • Muhammed Senussi

      Muhammed Senussi

      AuthorJuly 8, 2025

      It is the fastest diagnostic I know. Fingers can memorise a sequence without the ear being involved at all, and the result is a performance that is technically correct and says nothing.

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